“An Ocean in Between” - Ivelisse del Carmen
Just when we thought the alt-pop scene couldn’t get any more lush, Ivelisse del Carmen shows up with “An Ocean in Between” — a dreamy, flirty, emotionally charged sonic exhale that lands somewhere between a moonlit kiss and a sun-drenched dance floor.
“Where To Begin” - Danielle Dennis
Danielle Dennis isn’t here to play it safe. She’s not coasting on easy choruses or sanitized radio pop. With “Where to Begin”, the San Francisco-born, New Orleans-based singer-songwriter delivers a haunting, alt-rock-leaning confession that doesn’t just scratch the surface — it digs in, bleeds a little, and invites you to feel every inch of the scar.
“USE ME” - Bailey Grey
Bailey Grey is not here to play it safe. She’s not chasing trends or crafting radio-friendly fluff. Instead, with her latest single “Use Me,” Bailey is spinning grief, legacy, and artistic reincarnation into a jazzy, theatrical, morbidly beautiful banger — and it’s mind-blowing.
“Avalanche” - ÉTATS D'ÂME
ÉTATS D'ÂME are back — and they didn’t just bring a new song, they brought a new chapter. With their new single “Avalanche”—from their third album "Émotions Vives,"—this band aren’t just making music — they’re handing you a piece of their soul, wrapped in rhythm, poetry, and a voice that knows what it’s like to feel everything.
Exclusive Interview - Ken Woods and the Old Blue Gang - “Ride the Rails”
Ken Woods and the Old Blue Gang didn’t come to play safe. Their debut single “Ride the Rails” explodes out of the gate with the furious momentum of a freight train barreling through the bones of American history — and it's an absolute barnburner of a track.
“This Ain’t The Day I Die” - Hyporadar
Hailing from the quiet corners of small-town Maine, Shane Duquette—the one-man mind behind Hyporadar—has crafted something that feels like a late-night drive through a noir daydream. “This Ain’t The Day I Die” isn’t just a song; it’s a mission statement. A gritty, low-end, bass-driven anthem for those who never quite fit the mold but kept creating anyway.
“Samurai Smile” - Sons of Martha
North London’s own Sons of Martha are back, and this time, they’re taking a darker, more hypnotic turn with their latest single, "Samurai Smile"—a track oozing with groove, layered melodies, and an eerie urban legend twist.
"Read My Mind (Vibes Song)" - Wild Horse
Wild Horse are charging into 2025 full speed ahead with their first new single of the year, "Read My Mind (Vibes Song)". Not only does this track mark their highly anticipated return, but it’s also the first release from their new four-piece lineup—and it's already shaping up to be a game-changer.
Exclusive Interview: Julianna Joy
"The Year I Lived as You," Julianna Joy’s latest single is moody, electric, and drenched in emotional intensity. It blends dark synthpop with piercing lyricism that cuts straight to the bone.
We Spoke To Julianna about her journey so far.
“Disengaged b/w Slipping” - Delta of Venus
Some music videos are just flashy visuals slapped onto a song. Others—like Delta of Venus' "Disengaged b/w Slipping"—are full-blown cinematic experiences. This isn’t just a video—it’s a vision, a reimagining, and a statement all rolled into one.
The Antelope - Koala Bar
Koala Bar’s latest release, The Antelope, is a heady, immersive dive into the dreamlike haze of alternative psychedelia.
This is a band building something from the ground up, hacking their way through the overgrown forests of their own soundscapes, reshaping them into something fresh, something raw, something entirely their own.
“Do You Remember Anything?” by Fendahlene feat. Portobello Express: Review
Fendahlene is back, and this time, they’re making some serious noise—both sonically and lyrically. Their new single, "Do You Remember Anything?", isn’t just another indie rock track; it’s a full-blown call to arms, drenched in groove-heavy riffs, punchy basslines, and an undercurrent of simmering frustration. It’s got swagger, it’s got grit, and it’s got something to say.