“Sea of Memories” - Richard Green
Photo Credit: Artist EPK
There’s something quietly breathtaking about Richard Green’s “Sea of Memories” — a piece that doesn’t just play notes but seems to breathe them. This single marks the poignant finale of A Journey, the first chapter in Green’s ambitious three-part musical trilogy. It’s music for deep reflection — the kind that plays in your head when you’re watching the sunset and thinking about all the moments that made you who you are.
From the first few piano strokes, “Sea of Memories” unfolds like a tender film score — a slow, emotive swell that feels both intimate and universal. Green, who divides his creative life between Milan and London, has composed something deeply human — a meditation on memory, mortality, and the way the small, beautiful fragments of our lives rise to the surface as we near our own horizon.
It helps that Green has surrounded himself with remarkable collaborators. Irene Veneziano, one of Italy’s most acclaimed pianists, brings a delicate precision to the piece — her phrasing is light yet loaded with emotion. The recording, captured at the renowned Studio Elfo near Piacenza, Italy, has a warmth and clarity that feels handcrafted — every note placed with care, every silence allowed to breathe.
Stylistically, “Sea of Memories” sits somewhere between Yiruma’s tender lyricism and the emotional sweep of Ludovico Einaudi or Giovanni Allevi, but Green’s approach is more narrative, more cinematic. This is music that tells a story — and in this case, a story about looking back at a life lived, about remembering not the grand gestures but the fleeting moments that, in hindsight, meant everything.
The track also surprises midway, where the strings and piano take on a new pulse — a heartbeat, perhaps — symbolizing that even in nostalgia, there’s energy and life. It’s a bold compositional choice that stops the piece from drifting too far into sentimentality and instead roots it in a kind of wistful defiance.
Photo Credit: Artist EPK
What makes “Sea of Memories” truly special is its balance: it’s reflective without being heavy, emotional without being indulgent. It captures that bittersweet, almost sacred space between sadness and gratitude — the moment when you realize that memory itself is a form of living.
As the closing chapter of A Journey (EP I), this piece feels like both an ending and a beginning — the calm before the next wave. Green’s ability to blend storytelling, technical mastery, and pure feeling makes him a composer worth watching closely as his trilogy unfolds.
In his own words, this is “one of the most nostalgic compositions created so far, but not sad.” And he’s right — “Sea of Memories” doesn’t mourn what’s gone. It celebrates what remains: the beauty of having lived, loved, and remembered.
“Sea of Memories” is available now on all major streaming platforms
