Krissy Adaluz’s new single “In the Medium” doesn’t just ask you to listen—it demands you feel. It’s the kind of track that doesn’t politely knock on the door of your psyche—it slides under the cracks, coils around your memories, and whispers truths you thought you’d buried. Somewhere between dream pop, electronic, and art pop, “In the Medium” is an experience as much as it is a song. And it’s only the beginning—this single marks the first glimpse into her upcoming 11-track self-crafted album, Conflicted.

Krissy didn’t just write this song. She produced, composed, arranged, and performed everything on it. And then there’s Alex Reverberi, an Italian mixing/mastering legend with three decades of experience, who helped carve out the track’s glowing edges. His seasoned touch brings out every haunting nuance in Krissy’s production—giving the piece a cavernous, almost cinematic space to breathe in.

“In the Medium” channels the shadowy elegance of Massive Attack and Portishead, the poetic murk of Tricky, and wraps it all in lyrical stylings reminiscent of Björk, Fiona Apple, and early Evanescence. The song doesn’t scream its message—it murmurs it, unsettled and intense. And honestly? That restraint hits harder than any scream could.

According to Krissy, the “Medium” is both literal and symbolic—a personal mental purgatory, the undefined space where her mind would retreat during the chaos of her early life. Written originally in 2017 in her high school bedroom in New York City, this song is layered with nostalgia, survival, and a strange kind of reverence for the darkness she’s endured. It’s as autobiographical as it is mythical.

That PlayStation 2 startup synth tucked in the background? It’s not just a nostalgic flourish. It’s a sonic callback to her childhood, tying together the song’s emotional and generational themes in a beautifully nerdy, surprisingly emotional way.

What makes this release so magnetic is how organic it feels—even with all its digital textures. From the early days of making synths on a beat-up HP laptop keyboard to eventually leveling up with a MidiPlus keyboard and an Audio-Technica AT2020 mic, every phase of Krissy’s DIY evolution is embedded in the track. It’s not polished to sterility—it’s alive with imperfections that serve the emotion.

And while the production has matured, it hasn’t lost its roots. Krissy still uses Acoustica Mixcraft, a DAW not as flashy as its Ableton or Logic siblings, but one she’s mastered with devotion. The result is a track that feels like it was born in a dream and raised in a storm.

Lyrically, “In the Medium” leans into metaphor and shadow. There’s no hand-holding here, no obvious declarations—just poetic fragments and emotional fingerprints.

She doesn’t ask for your pity or your understanding. She’s showing you her inner world and letting you decide where to go from there.

It’s deeply personal, musically rich and emotionally brave – a soundtrack to survival, memory, and the murky waters of healing. Krissy Adaluz hasn’t performed “In the Medium” live yet—but when she does, you can bet it’ll be electric in that soft, aching, spine-tingling way.

This isn’t a single. It’s a séance. And we’re lucky to be invited.

We spoke to Krissy about her journey so far.

Do you have an interesting moment or story from your early life that has had a significant impact on your journey into music?

Krissy: I think having access to free music education at an early age was fundamental in giving me the ability to read and compose music that I feel comfortable experimenting with. Having a music teacher who encouraged me to explore and learn various instruments will always leave a significant impact on me. I’m also a Hispanic born and raised in New York, so having so many genres of music playing at home, from Bachata to Metal, influenced my taste. A burned mixed CD in my childhood home could have Aventura, Usher, and System of a Down on it, haha.

Are there any artists who were influential in your musical journey? How have they inspired your sound as an artist?

Krissy: I’d say Evanescence inspired me to pick up the piano again as a Freshman in High School. Not only is Amy Lee’s voice powerful and filled with emotional inflection, but her abilities as a producer and pianist deserve high recognition. The piano is always my main tool when building the foundation of any song, even if it's not found in the final product. Massive Attack resonates more with my compositions because I love the seductiveness of Trip-Hop and its enchanting undertones.

How would you describe your sound to new listeners? What do you think sets you apart?

Krissy: My sound weaves together themes of sulking, hoping, wandering, and reminiscing. I can appreciate the light and dark equally, and I am always my genuine self. I’ve always admired the merge of strings and electronica, so that would probably always be the staple for my sound. I also don’t stress the trends in music today. If my song is 6 minutes long, so be it.

What’s your creative process? Where do you normally start when it comes to writing and recording? Do the lyrics come first?

Krissy: I try to change it up each time, but I will eventually find myself down a familiar path. I’d like to think that means I’ve recognized my sound and the patterns that are aligned with it. Such as the strong need to write music at 4 am. Creating music, for me, is meant to be a cathartic means of letting go of negativity; It's my healthiest outlet. So I’ll usually sit at my Yamaha piano and mess around with chords and arpeggios. I’ll turn to my go-to Digital Audio Workstation, Acoustica Mixcraft, and start converting the new idea into different synths and sounds, usually accompanied by tremolo, legato, or pizzicato strings. The song blossoms from then on. Sometimes when I’m outside or busy, a lyrical idea strikes me at the worst time, and I’ll immediately note and date it in my Notes App. Eight years ago, when I first wrote “In the Medium” — a single from my upcoming album “Conflicted” — I had no real equipment, so both the lyrics and music were created simultaneously on my laptop.

Have you had any challenges or adversities in your life that you feel have shaped you as an artist?

Krissy: I had a childhood with very rough, chaotic periods, and I had no way of alleviating that sorrow. This instability drove me towards an outlet that would bring peace into my life. Initially, I learned to use poetry to express those unresolved frustrations, and later turn the prose into lyrics. Also, I liked to think that growing up fast in New York City gave me insight into a gritty and unshrouded world.

Are there any moments or achievement from your career so far that you’re most proud of?

Krissy: I am most proud of feeling confident enough to enter this new public path of my life. I’m typically reserved and have held my music career back for a good 10 years due to shyness. But life is too short to hold back on something I love doing. I’m also proud of the increasing complexity and improvement of my art, a personal musical style that I’ve had enough time to craft in the hours before dawn.

Which do you prefer, the creative process or live performance? Or do you enjoy both equally?

Krissy: I’ve done live performances in the past covering other artists’ songs. However, I hope to step out of my shell and play my own before an audience. Hopefully this year! I love the thrill of a live performance; the intense heart-racing and the nervousness always gave me a rush. But, I love the intimacy of the creative process, where you have to face the music (literally) and ask it, “What is your purpose?”

Do you as an artist require fans to fully understand your message in each song or do you encourage subjective interpretation from every listener?

Krissy: Since all of my songs stem from personal experiences, I want listeners to be made aware of the backstory—most of the metaphors aren’t just poetic devices, but reflections of real moments in my life. At the same time, I don’t want to limit the listener’s imagination, so I encourage everyone to interpret the music in their own way and find a personal connection to it.

Does the political landscape have an impact on your music, or do you keep your personal opinions separate from your work as an artist?

Krissy: While I haven’t yet released songs that directly express my political views, I hope to one day channel my thoughts on injustice, racism, and intolerance into music that speaks to our shared reality.

What are your future plans? Any new songs/projects on the horizon?

Krissy: The next single off the album “Sunset at Midnight” shares no emotional similarities with “In the Medium” whatsoever! (haha) It's planned to be released closer to June as it has undeniable hints of Summer. After listening to the track, I always end up with happy tears! The song is saturated with nostalgia and an almost airy quality that feels like floating. A 2018 trip to my family’s home country, the Dominican Republic, is the main inspiration for the song. Both of the aforementioned tracks will appear on the debut album “Conflicted” soon!

“In The Medium” is available now on all major streaming platforms

Listen to Krissy Adaluz and other similar artists on our Spotify Playlist ‘New Music Spotlight - Pop’

Exclusive Interview - Krissy Adaluz

“Love & Distortion” - DJ Super Will

“Waves Waves” - CS Hellmann