“The End of Love” - The Vanities Ft. Kaysha Louvain
Photo Credit: Artist EPK
Sometimes a song just oozes drama from the very first note—and The End of Love by The Vanities, featuring powerhouse vocalist Kaysha Louvain, is exactly that kind of track. This isn’t just another retro-pop single; it’s a full-throttle, neon-soaked, 80s-inspired epic that refuses to stay in the background.
The Vanities, the Cardiff-based pop duo/production team already known for their work with Tony Hadley, Peter Cox, and Bob Fitzgerald, have teamed up with Louvain—herself an award-winning singer-songwriter and respected force at TIWN Media—to deliver a song that feels both nostalgic and refreshingly bold. The result is a cocktail of Eurythmics’ shadowy synth drama and Depeche Mode’s brooding edge.
Production-wise, The End of Love is dripping in polish thanks to Shabbey Road Studios and producer Al Steele (of The Korgis). The sonic palette is massive: shimmering synth beds, pulsing drum machines, and layers that nod lovingly at the golden age of 80s pop while still sounding crisp and modern. Then there’s Jack McDougal’s wailing saxophone solo—pure cinematic excess in the best way, the kind of moment that makes you want to lean into a spotlight with a champagne glass raised.
And if that wasn’t enough, the track is supercharged by guest guitar work from two Welsh music heavyweights: Owen Powell of Catatonia and Andy Fairweather Low. Their contributions bring grit and grandeur, grounding the glitzy production with just enough rock bite.
Photo Credit: Artist EPK
But the centerpiece here is undeniably Kaysha Louvain’s vocal. Her delivery manages to be soaring and theatrical while still cutting through with intimacy—channeling heartbreak with an elegance that elevates the track beyond pastiche. She doesn’t just sing the end of love; she performs it, wrapping every syllable in a velvet glove and then punching straight through the heart.
What makes The End of Love so irresistible is that it isn’t afraid to go big. It’s unapologetically dramatic, revels in its retro inspirations, and yet never feels like a throwback novelty. Instead, it stands as a testament to what happens when seasoned musicians, iconic collaborators, and a fearless vocalist collide to make something that’s equal parts nostalgic and fresh.
If you’re a fan of bold, cinematic pop—the kind that makes you want to slow-dance in the rain or strut through city lights at midnight—this one’s for you. It might be the end of love, but for listeners, it’s the start of a serious obsession.
“The End of Love” is available now on all major streaming platforms
