“Diss Qualification” - Antoin Gibson
Photo Credit: Artist EPK
“Diss Qualification” is Antoin Gibson at their most unfiltered — sharp, incendiary, and armed with bars that cut through hypocrisy like a hot knife. Dropped on October 1st, the track doesn’t just add to Gibson’s discography, it throws down a gauntlet. This is political hip-hop and grime with teeth: snarling, unapologetic, and unwilling to play by anyone’s rules but their own.
The beat hits hard, fusing trap grit with grime’s restless edge, but it’s Gibson’s delivery that makes “Diss Qualification” burn. Every verse feels like a pressure release valve on years of pent-up frustration with bureaucracy, broken systems, and the sheer absurdity of political theatre.
What makes this release especially potent is the story behind it. Gibson, recently returning to undergraduate study, uses their own experience with institutional hoops and paperwork as a springboard for bigger commentary. The title itself is a double-play: it’s both a diss track aimed at the powers-that-be and a rejection of the very idea of qualification as a gatekeeping mechanism. They flip personal grind into global critique, tying in themes of genocide, UN inaction, and systemic hypocrisy in one furious lyrical storm.
Quoting Gibson: “I’m just saying it how I see it. The world is backwards and fucked, you got to admit. Diss Qualification is my refusal to play the game by their rules — I’m writing my own.” That ethos is the track in a nutshell: defiance wrapped in wordplay, protest packaged as performance.
Photo Credit: Artist EPK
For fans who’ve followed them since FlexAble, Diss Topia, and their genre-bending dark-pop side project Serene Despair, this new single proves they are still restless, still pushing boundaries. If their earlier work showed us an artist in experimentation, “Diss Qualification” feels like the moment Gibson fully embraces their role as both MC and truth-teller.
It’s grime, it’s UK rap, it’s political hip-hop with a cinematic edge — but most importantly, it’s a raw statement of intent. Antoin Gibson isn’t here to entertain politely. They are here to tear down façades, drop logic bombs, and force the listener to confront the uncomfortable. And with Circum Sŏnus as their platform, they are building a movement as much as a catalog.
“Diss Qualification” isn’t just another release — it’s Antoin Gibson drawing a line in the sand and daring the world to step over it.
“Diss Qualification” is available now on all major streaming platforms
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