“Rose-Colored Boy” - CROSSTOWN
Cover songs can be tricky territory. You’ve got to respect the original while somehow carving out your own identity within it — and that’s no easy feat, especially when you’re taking on something as beloved and punchy as Paramore’s “Rose-Colored Boy.” But CROSSTOWN, the Los Angeles-based duo made up of singer/producer/guitarist Danny Mitchell and bassist Lily Santos, doesn’t just cover the song. They reimagine it, dip it in glitter, give it a pulse, and set it free on the dancefloor.
“God of the Dead” - Rosetta West
If Rosetta West were a place, it would be a smoky dive bar on the edge of the universe—part haunted temple, part blues church, part punk asylum. Their latest album, God of the Dead, feels exactly like that: a spiritual odyssey that’s as raw as it is transcendent. It’s chaotic, it’s beautiful, it’s strange—and somehow, it works.
“The Other Side of Fear” - Edge of Paradise
Edge of Paradise has never been a band to do things halfway. They don’t just release songs — they build worlds. With their latest music video for “The Other Side of Fear,” they take their bold, cinematic vision one step further by handing the spotlight to their global fanbase — and the result is something uniquely raw, human, and surprisingly powerful.
Exclusive Interview: Dane Anthony Swan
Every once in a while, a song comes along that doesn’t chase the algorithm, scream for attention, or drown itself in production tricks. Instead, it slows down, breathes, and invites you to do the same. The Simple Things, the latest single from Dane Anthony Swan, does just that — and it’s exactly what we didn’t know we needed.
We spoke to Dane about his journey so far.
“Wholly You” - Jon Gold
Let’s get one thing straight: not all jazz is cold, complicated, or reserved for smoky clubs. Some jazz wears a warm smile, wraps you in sunshine, and says, Hey, it’s okay. You’re okay. That’s exactly the kind of energy Jon Gold is bringing with his latest single, “Wholly You”—a lush, soul-soothing blend of Brazilian rhythms, jazz sensibility, and lyrical heart that feels like a deep breath during chaotic times.
“Right Here” - Maharani
If you're looking for something to hit your ears and your spirit, Maharani's new 2-track EP "Right Here" is exactly the kind of sonic soul food that’ll stay with you long after the last note. With just two tracks—“Skyline” and “Right Here”— performed alongside Itsyaboikay, she manages to transport, uplift, and ground you in something that feels ancient, yet entirely fresh. It's Tamil, it's Carnatic, it's RnB, it's cosmic, it's affirming—and it's all hers.
“People Are Mad” - Sean Griffin
After a 25-year run at the heart of New York’s Irish-American music scene with his band The Ruffians, Sean Griffin has officially gone solo—and let’s just say he’s not tiptoeing into the spotlight. His debut single, “People Are Mad”, is part protest song, part pub sing-along, and part cheeky commentary on the general chaos of the modern world. It’s also undeniably fun. If you've ever laughed while crying over the state of politics, or yelled “we’re doomed” over a pint with friends, this song might just feel like your new anthem.
“No Kings for Me” - Chris Pellnat
Imagine a cartoon cat riding a robot, standing tall in digitally rendered worlds, refusing to bow to tyrants—and yes, that’s exactly the vibe of Chris Pellnat’s new music video “No Kings for Me.” This protest anthem, filmed entirely in VRChat, merges grassroots activism with whimsical surrealism—and all without a drop of AI involved. It’s homemade protest art for the digital age, and it hits surprisingly hard.
Exclusive Interview: Robbie Z
If you’ve been feeling like the pop world has been a little too grey lately—too many moody ballads, too much introspection—Robbie Z’s new single “THE SUN IS LOUD” is your signal flare of unapologetic brightness. Released on June 20, 2025, this London-based artist’s latest track is a deliberate act of joy: three minutes of sugar-rush energy, early-2010s nostalgia, and a kind of shameless optimism that feels rare right now.
We spoke to Robbie Z about his journey so far.
“Summertime of Peaches” - Thammarat
There’s something instantly disarming about “Summertime of Peaches” by Thammarat. It’s not forcing itself into some heavily-produced “moment.” Instead, it feels like someone cracked open a bedroom window, let the humidity in, and just started daydreaming out loud. The track sits squarely in a cozy corner of bedroom pop—lo-fi enough to feel handmade, yet beautifully anthemic.
“cool like you” - Varun Sheel
Some songs don’t just play—they hold up a mirror. Varun Sheel’s “cool like you” is one of those rare indie pop tracks that feels like it’s dancing right on that razor’s edge between joy and vulnerability.
Musically, “cool like you” is light on its feet. The production pops with bright, glassy tones that recall late-night neon reflections—guitars are crisp and rhythmic, 808s hit with a modern, low-end punch, and the drums keep things snappy enough to land this firmly in “danceable” territory.
“Bolts From The Blue” - Norine Braun
Every so often, a song comes along that doesn’t just get stuck in your head—it sits you down, looks you in the eye, and reminds you why you’re still here. Norine Braun’s new single “Bolts From The Blue” is exactly that kind of track: part pep talk, part confession, and all heart.