
“Malika” - Alex Base
Straight from the colorful chaos of Pattaya, Thailand, Alexander Basov—aka Alex Base—returns with a new single that doesn’t just sound good, it feels lived in. “Malika” is more than a song; it’s an intimate snapshot of raw emotion wrapped in lush, melodic textures and a soft, smoky groove that lingers long after the final chord fades out.

‘Expedient Means’ - Blackbird Rebellion
From the sonic shadows of Hamburg’s underground, Blackbird Rebellion have come back swinging with their fifth EP, ‘Expedient Means’ — and it’s a scorcher. These guys don’t care if grunge is in or out—they’re too busy making raw, thoughtful, emotionally gritty rock for the sake of expression, not impression.

“The Thief of Leaving” - McVeigh
From the quiet corners of rural County Tyrone comes a voice that feels anything but small. Meet McVeigh — a singer, songwriter, and producer with a sound that balances melancholy and melody, heartbreak and hope. And with his latest single “The Thief of Leaving,” he’s not just tugging at heartstrings — he’s plucking them with pinpoint precision.

‘The Turnaround’ - Daniel de Boer
If there was ever an EP that sounds like it was recorded with the whole world watching—and listening—it’s Daniel de Boer’s The Turnaround.
This isn’t just a six-song project. It’s a musical mosaic, stitched together from different corners of the planet and bound by a shared love for organic sound, deep grooves, and emotional storytelling. Acoustic pop at its core, but dressed in delicate layers of global influence, progressive detail, and electronic brushstrokes, this is music that moves—literally and emotionally.

Back to Basics - Plaster
Let’s talk about Plaster — a five-piece straight outta San Diego who sound like they grew up on punk shows, thrift store amps, and late-night existential dread. Their debut EP, Back to Basics, dropped on April 11th, and it's the kind of release that makes you wanna drive down the coast with the windows down, scream-sing into the void, and maybe send a risky text to someone who used to understand you better than anyone.

“USE ME” - Bailey Grey
Bailey Grey is not here to play it safe. She’s not chasing trends or crafting radio-friendly fluff. Instead, with her latest single “Use Me,” Bailey is spinning grief, legacy, and artistic reincarnation into a jazzy, theatrical, morbidly beautiful banger — and it’s mind-blowing.

“Avalanche” - ÉTATS D'ÂME
ÉTATS D'ÂME are back — and they didn’t just bring a new song, they brought a new chapter. With their new single “Avalanche”—from their third album "Émotions Vives,"—this band aren’t just making music — they’re handing you a piece of their soul, wrapped in rhythm, poetry, and a voice that knows what it’s like to feel everything.

Crash Landings, Coincidences, Chaos - Slow Buildings
When life spirals, most of us just try to hold on. But Jason Legacy, the one-man engine behind Slow Buildings, does something better — he turns the chaos into songs.

“Heavenly in Black” - KaiserKillers
Strap in because KaiserKillers are back and they’re not messing about. Their latest single “Heavenly in Black” is pure Britpop bliss with a punky snarl and just enough swagger.

“Goodness Gracious” - The Heligoats
If you’ve never heard of The Heligoats, you’ve probably at least paused to wonder what is a Heligoat? And that’s kind of the point. Equal parts bizarre and endearing, the name perfectly mirrors the wonderfully offbeat world Chris Otepka invites listeners into—a world where indie rock takes a detour through daydreams, strange science, and the inside of your spleen.

“Saturday Sessions” - The All's Eye
If you’re into psychedelic jams, soulful throwdowns, or raw analog magic caught in the moment, Saturday Sessions by The All’s Eye is about to become your new obsession. This trio—Ari Joshua on guitar, Ben Atkind on drums, and Kris Yunker on organ—are serving up two genre-blurring tracks recorded live and direct at Barbershop Studios, and it's nothing short of a spiritual experience. No fluff, no fillers—just pure, heart-pounding musicianship caught in one take. You can feel the energy radiating through every note.

“This Ain’t The Day I Die” - Hyporadar
Hailing from the quiet corners of small-town Maine, Shane Duquette—the one-man mind behind Hyporadar—has crafted something that feels like a late-night drive through a noir daydream. “This Ain’t The Day I Die” isn’t just a song; it’s a mission statement. A gritty, low-end, bass-driven anthem for those who never quite fit the mold but kept creating anyway.