“evil” - SUUNCAAT
Photo Credit: Artist EPK
Montreal’s underground has been simmering with strange, dark energy, and with “evil”, SUUNCAAT has cracked it wide open. This single doesn’t just play—it strikes, cuts, and convicts. Every lyric lands like a cross-examination in a courtroom of the soul, demanding truth where dishonesty has festered. There’s no fluff here, no coy wordplay. “evil” is lean, blunt, and merciless, forcing the listener to confront the consequences of betrayal.
But the real exorcism happens in the visuals. Directed by Marguerite Ranger, the video takes SUUNCAAT’s persona and drags it into a surreal, unsettling mythology. Shot in raw monochrome, it feels like half art film, half fever dream ritual. Religious iconography collides with visceral body horror; devotion is twisted into violence; feminine rage is sanctified into something holy. SUUNCAAT becomes a warped Cinderella—betrayed, disfigured, yet remade into an unbreakable myth.
What’s striking is how stripped down this new phase feels. SUUNCAAT has shed the playful distortion and trickster energy of earlier releases, stepping into something sharper, colder, more symbolic. This isn’t just a song, it’s a declaration of rebranding: no longer hiding behind masks, but standing in judgment, wielding it as a weapon instead of a wound.
Photo Credit: Artist EPK
Musically, “evil” is where hyperpop’s digital sheen collides head-on with the breakneck pulse of drum and bass. The result is both futuristic and feral—glossy, distorted synths slicing against frantic rhythmic undercurrents, like beauty and brutality trapped in the same breath. It’s a sound that refuses to settle, constantly threatening to combust, mirroring the lyrical tension of the track itself. It’s post-pop, post-industrial, maybe even post-genre—but it’s undeniably SUUNCAAT.
And if this is just the first flare in a bigger fire—the promised EP on the horizon—then we’re witnessing an artist fully stepping into her mythos. “evil” isn’t meant to soothe, it’s meant to scorch.
Final word: SUUNCAAT has turned betrayal into ritual, judgment into art, and feminine rage into a weaponized myth. “evil” is not just a single—it’s a warning shot for what’s to come.
”evil” is available now on all major streaming platforms
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