“Little Girl” - Chelsea Rebecca
With her second single “Little Girl” (dropped on September 26th via Monomyth Records), Chelsea Rebecca proves she’s not just another emerging voice in the UK folk-pop scene—she’s a storyteller with the rare ability to turn personal reflection into something that feels universal. Hailing from Wigan and now rooted in Leeds, Chelsea has already been turning heads across the North with her honeyed vocals and tender, unflinching lyricism.
“Kiss Your Lips” - Quentin Moore
Quentin Moore doesn’t just make music, he makes experiences—and with “Kiss Your Lips,” he’s delivered a slow jam that feels like both a time machine and a revelation. This is soul stripped down to its essence: groove, passion, and unashamed sensuality.
“Tears Fall Like The Rain” - VANNGO
VANNGO is on a roll this year. With “Tears Fall Like the Rain,” his sixth release of 2025, the LA-based indie artist doubles down on what makes him so compelling: unguarded honesty, aching vocals, and songwriting that feels like it’s lived-in rather than imagined. If you’ve been following his steady output, this one lands as a particularly vulnerable moment.
“Gotta Be You” - SJBHQ
London based producer and drummer, SJBHQ, is making waves with his debut single “Gotta Be You”. From the first beat, it’s clear this isn’t just another club track—SJBHQ is chasing something bigger, a sound that’s rhythmically sharp but emotionally layered.
“Shipwrecked” - Red Skies Dawning
“Shipwrecked” is the kind of debut single that doesn’t just introduce a band—it detonates their arrival. Red Skies Dawning, the heavier, modern rock rebirth of Chris Aleshire’s Red Skies Mourning project, wastes no time in laying down their mission statement: hard-hitting riffs, cinematic production, and lyrics that stare heartbreak, collapse, and rebirth square in the eye.
“Right Beside You (Acoustic)” - Sophie B. Hawkins
“Right Beside You (Acoustic)” is Sophie B. Hawkins doing what only the greats can do: taking a song that was already iconic and reimagining it with such honesty and intimacy that it feels brand new. Three decades after Whaler first crashed into the world with its bold mix of vulnerability and pop bravado, Hawkins has returned to one of its crown jewels—not with nostalgia, but with reinvention.
“Diss Qualification” - Antoin Gibson
“Diss Qualification” is Antoin Gibson at their most unfiltered — sharp, incendiary, and armed with bars that cut through hypocrisy like a hot knife. Dropped on October 1st, the track doesn’t just add to Gibson’s discography, it throws down a gauntlet.
“Tik Tok” - Oliver Sullivan Ft. Scarlett
Swiss producer Oliver Sullivan isn’t wasting a second in proving he belongs on the global EDM stage. His latest single, “Tik Tok” (Ft. Scarlett), makes that loud and clear.
“Stardust Bear Bazaar, Pt. 1” - New Laconia
With “Stardust Bear Bazaar,” Ukrainian project New Laconia doesn’t just drop a single — they throw open the door to an entire music-driven multiverse. Forget the usual “track + video” formula; this is a fully-fledged story world where the music is just as much narrative fuel as it is sonic pleasure.
“Fall Behind” - The Shrubs
The Shrubs — Houston’s sibling duo Josh and Miguel alongside their longtime friend Sophie — have always thrived on blending personality with craft, and their new single “Fall Behind” feels like the payoff of years spent chiseling away at a song until it shines.
“Redevelop Our Souls” - Dryadic
Dryadic’s latest single, “Redevelop Our Souls,” is a folk-rock anthem that doesn’t just ask to be heard — it demands to be lived in. The track has been simmering in their live sets for almost a decade, a communal firestarter and rallying cry that has finally made its way into the studio.
“In My Head” - Talkline
Talkline, the Essex-and-London-based outfit led by vocalist Amy Hollingsworth and pianist Will Hobson, have been slowly building a sound that lives at the intersection of indie pop, jazz, and minimalism — a kind of thoughtful but playful blend that feels as conversational as it does musical. With their latest single In My Head, they’ve managed to bottle up the spiraling chaos of an inner monologue and turn it into something both relatable and sonically captivating.